On the Impact of Ground Sound

09/19/2019
by   Ante Qu, et al.
0

Rigid-body impact sound synthesis methods often omit the ground sound. In this paper we analyze an idealized ground-sound model based on an elastodynamic halfspace, and use it to identify scenarios wherein ground sound is perceptually relevant versus when it is masked by the impacting object's modal sound or transient acceleration noise. Our analytical model gives a smooth, closed-form expression for ground surface acceleration, which we can then use in the Rayleigh integral or in an "acoustic shader" for a finite-difference time-domain wave simulation. We find that when modal sound is inaudible, ground sound is audible in scenarios where a dense object impacts a soft ground and scenarios where the impact point has a low elevation angle to the listening point.

READ FULL TEXT

page 1

page 2

page 3

page 4

page 5

page 6

page 7

page 8

research
08/17/2021

DeepEigen: Learning-based Modal Sound Synthesis with Acoustic Transfer Maps

We present a novel learning-based approach to compute the eigenmodes and...
research
02/10/2022

Sound masking degrades perception of self-location during stepping: A case for sound-transparent spacesuits for Mars

Most efforts to improve spacesuits have been directed towards adding hap...
research
11/11/2020

Sound Synthesis, Propagation, and Rendering: A Survey

Sound, as a crucial sensory channel, plays a vital role in improving the...
research
07/13/2022

Polyphonic sound event detection for highly dense birdsong scenes

One hour before sunrise, one can experience the dawn chorus where birds ...
research
10/27/2022

Rigid-Body Sound Synthesis with Differentiable Modal Resonators

Physical models of rigid bodies are used for sound synthesis in applicat...
research
05/22/2021

Quanta in sound, the sound of quanta: a voice-informed quantum theoretical perspective on sound

Humans have a privileged, embodied way to explore the world of sounds, t...
research
07/15/2021

Sketching sounds: an exploratory study on sound-shape associations

Sound synthesiser controls typically correspond to technical parameters ...

Please sign up or login with your details

Forgot password? Click here to reset